Fișier:Paal fontainebleau.jpg
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László Paál: Road in the Fontainebleau Forest | ||||||||||||||||||||||||
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Artist |
artist QS:P170,Q920009 |
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Titlu |
English: In the Forest of Fontainebleau Magyar: Út a fontainebleau-i erdőben Deutsch: Weg im Wald von Fontainebleau |
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Object type |
pictură object_type QS:P31,Q3305213 |
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Dată |
1876 date QS:P571,+1876-00-00T00:00:00Z/9 |
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Mediu |
ulei pe pânză medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensiuni |
Înălțime: 91,5 cm; lățime: 63 cm dimensions QS:P2048,91.5U174728 dimensions QS:P2049,63U174728 |
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Colecție |
institution QS:P195,Q252071 |
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Locul actual în care se află |
English: Budapest |
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Număr de inventar |
3722 (Hungarian National Gallery) |
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Referințe | ||||||||||||||||||||||||
Sursă/Fotograf | Fine Arts in Hungary: | |||||||||||||||||||||||
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Road in the Fontainebleau Forest engleză
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Road in the Fontainebleau Forest engleză
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Data și ora | Miniatură | Dimensiuni | Utilizator | Comentariu | |
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actuală | 18 aprilie 2007 09:19 | 570x818 (111 KB) | Achim Raschka | {{Painting| |Title={{en| In the Forest of Fontainebleau}}, {{hu: Űt a fontainebleau-i erdőben}}, {{de: Weg im Wald von Fontainebleau}} |Technique={{de| Öl auf Leinwand}} |Dimensions=91,5 x 63 cm |Location= {{en|Budapest}} |Country= {{en|Hungary}}, {{de |
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Comentarii la fișierul JPEG | PAÁL László
(1846, Zám - 1879, Charenton) Út a fontainebleau-i erdõben 1876 Olaj, vászon, 91,5 x 63 cm Magyar Nemzeti Galéria, Budapest Paál László mûvészete a barbizoni festõk eredményeit egyéni vonásokkal gazdagította. Barbizonban Paál munkássága idején már csak J. F . Miller élt a nagyok közül, aki az ott dolgozó fiatalabb festõkkel együtt a magyar mester tevékenységét is figyelemmel kísérte, és szenvedélyes hangú alkotásait igen nagyra becsülte. Kortársai közül Th. Rousseau-hoz hasonlították, késõbb képeit Diaz de la Peòa mûveivel állították párhuzamba Valami mégis megkülönbözteti tõlük: elõadásának lenyûgözõ ereje és közvetlen élményeinek nosztalgiákkal teli kifejezése. Paál legjobb mûveiben romantikus természetszemlélete realista ábrázolásmóddal és az atmoszferikus hatások érzékeltetésével párosul. "Út a fontainebleau-i erdõben" címû képén a fényben fürdõ természetet a formák fellazítása nélkül, mégis vibráló, áttetszõ, levegõs hatást keltve ragadja meg. Palettáján a zöldek gazdagon tobzódnak: nedvesen csillogó olívzöld, egy-egy napsütötte levél sápadt zöldje, a mohán megcsillanó tengerzöld, a sejtelmes erdõmélyének sötétzöldje - s az erdei növényzet még számtalan színváltozata csillan meg a táncoló, bujkáló napfénycsóvákban. Életében egyetlen mûve sem került múzeumba, a hivatalos elismerést, a Salon "mention honorable"-ját is már súlyos betegen kapta. 1880-ban vásárolták meg két képét a Nemzeti Múzeum képtárának. Petrovics Eleké az érdem, hogy az I. világháború idején és utána a gazdasági nehézségek ellenére Paál Lászlónak egész teremre való mûvét tudta megszerezni a Szépmûvészeti Múzeum számára. Ezek közé tartozik ez a mû is. PAÁL, László (1846, Zám - 1879, Charenton) In the Forest of Fontainebleau 1876 Oil on canvas, 91,5 x 63 cm Hungarian National Gallery, Budapest The art of László Paál gave many original features to Barbizon School. Of the great masters in Paál's time only Millet actually lived in Barbizon, and he followed the activity of the Hungarian artist and the other young painters who worked there with great interest, and was highly appreciative of his passionate paintings. Paál's work was first associated with that of T. Rousseau and later he was compared with Diaz de la Péna. Yet there is something that makes him quite different from them - his imposing power of rendering, and his highly nostalgic, nature-inspired delineation. In his best works, the romantic approach is combined with a realistic representation and expression of atmospheric effects. The painting "In the Forest of Fontainebleau" is bathed in sunlight, the forms are strict and there is still a vibrant translucent effect. His palette has an abundance of greens - glistening olives, the pale green of sunlit leaves, the sea-green of moss, the dark green of the deep mysterious forest - these and many more variations of green foliage shimmer in the dancing shafts of sunlight. Not one of his works was acquired by a museum during his lifetime, and his only official recognition, the "mention honorable" of the Paris Salon came when he was already seriously ill. In 1880 two of his pictures were bought for the collection of the National Museum. Thanks to Elek Petrovics, the Museum of Fine Arts, despite financial difficulties, bought a number of his works during and after the First World War, among them his painting. Type: landscape Time-line: 1876-1900 Form: painting |
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