Fișier:PDP-CH - New York Philharmonic - Arturo Toscanini - The Barber of Seville - Gioachino Rossini - Overture - Part 2 - Electrola-ej576-42-757.flac

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composer
Gioachino Rossini  (1792–1868)  wikidata:Q9726 s:en:Author:Gioachino Rossini q:en:Gioachino Rossini
 
Gioachino Rossini
Descriere compozitor italian
Data nașterii/decesului 29 februarie 1792 Modificați la Wikidata 13 noiembrie 1868 Modificați la Wikidata
Locul nașterii/decesului Pesaro Passy
Perioada de lucru 1810 Modificați la Wikidata
Authority file
creator QS:P170,Q9726
Descriere

1st release date: 1930

1st recording date: 21 November 1929

Place of recording: Carnegie Hall, New York City, New York (United States)

Author(s)/Composer(s): Gioachino Rossini (1792-1868)

Lyricist(s): Cesare Sterbini (1784-1831)

Music arranger(s): none

Conductor: Arturo Toscanini (1867-1957)

Performer(s): New York Philharmonic

Vocal range: instrumental

Title/Work: The Barber of Seville (opera)

Content: Overture - Part 2

Genre(s): Opera terminology

Sursă http://pool.publicdomainproject.org/index.php?title=Electrola-ej576-42-757
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This sound recording was first fixed prior to February 15, 1972. Under Title II (Classics Protection and Access) of the Orrin G. Hatch–Bob Goodlatte Music Modernization Act, which was signed into law on October 11, 2018, sound recordings that were first fixed prior to February 15, 1972 are protected from unauthorized use in the United States as follows:
  • Recordings that were first published prior to 1924 are in the public domain.
  • Recordings that were first published between 1924 and 1946 are copyrighted for a period of 100 years after first publication.
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  • Recordings that were published after 1956 and first fixed prior to February 15, 1972 will enter the public domain on February 15, 2067.

Note that sound recordings that were first fixed prior to February 15, 1972 are a special case under US copyright law and are not subject to the same formalities as other works. In particular, the terms of protection given above for pre-1972 recordings apply regardless of whether a recording was published with a copyright notice, or whether a recording was registered with the US Copyright Office, or whether a recording's rights were renewed. Files bearing this tag may be deleted in the future, depending on the outcome of community discussions and new case law. If you are the rights holder of this sound recording and do not wish to have it hosted on Commons, please contact our designated agent.

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